Bror Hjorth, Margit

Bror Hjorth
Margit

Bror Hjorth (Swedish 1894–1969) is one of Sweden’s foremost representatives of a movement with many names; naivism, primitivism or vitalism. Hjorth preferred to call himself a primitivist. Best known for his painted wooden sculptures and reliefs, he was to an equal extent painter, draughtsman and sculptor. During his whole life the artist was dedicated to the down-to-earth and positive outlook on life in folk art and folk music. However this movement should not be mistaken for artistic naivety. On the contrary Bror Hjorth was an intellectual artist. His private library testifies to a profound interest in the theory of art and philosophy.

Bror Hjorth lived and studied in Paris 1921-1930 moving back to Sweden in the 30’s. At first, Swedish critics considered his art ugly and clumsy but in time they came to praise precisely these traits for their originality and unrestrained joy in life. Bror Hjorth underwent a temporary artistic reorientation during the 40’s moving away from folk art towards a more realistic and harmonious style. Working with the young model Margit 1941-45 seems to have been the spark that set off this reorientation. This period also saw his wide breakthrough in Sweden.

Margit (bronze 1946 purchased 1948) leaning calmly and comfortably, looking over Marabou Park originates from the artist’s naturalistic period. However this sculpture contains something of the cubist and primitive Hjorth in the base she leans against, her arms and shoulders and crudely carved hair.