The Night Belongs to Us (a nous la nuit) consists of a series of snapshots of nightlife in Bamako, the preceding moments in front of the mirror, slick moves on the dance floor, mobiles being checked and roving eyes eager for contact. Diabaté’s photos express a quality that is both elusive and intimate in every situation. Her camera captures a cleavage or a shimmering dress as in a quick sketch or scribbled note.
This exhibition features a selection of photographs from the extensive series, Sutigi – a nous la nuit. Diabaté portrays people posing playfully for the camera, proudly showing off in trendy clothes and accessories worn with natural grace. In this respect, the settings in The Night Belongs to Us (a nous la nuit) are not unlike the contexts documented by the now internationally-famed Malian photographer Malick Sidibé some four decades earlier, which are shown simultaneously with Fatoumata Diabaté this autumn. The mood in photos by Diabaté’s contemporaries, however, is more urban and slightly restless, conveying a different zeitgeist than the perhaps more carefree ambiance found in Sidibé’s classic, balanced compositions.
There are many stories and perspectives from West Africa that remain to be told, to follow up what Malick Sidibé and other early photographers from Mali focused on in the 1950s when the colonial powers withdrew from the country. One of Diabaté’s incentives is to continue portraying life from her own perspective, in a region that is usually interpreted and described by observers and reporters from the outside.
The Night Belongs to Us (a nous la nuit) was produced in association with exp, experiments in crosscultural practices